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The Orbital team is preparing for its best-ever PLASA Focus this month, with our international product line-up including Clear-Com, CSC Show Control, d&b audiotechnik, Flare Audio, HME, and TheatrePro. |
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A UNIQUE DESIGN PERSPECTIVE ON "I CAN'T SING" |
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The Spin interviewed sound designer Gareth Owen about the irreverent new musical "I Can't Sing" at The London Palladium, written by comedian Harry Hill and composer Steve Brown. Describing it as a "challenging show", Gareth specified the d&b audiotechnik J-Series for the first time in a West End production - one of three firsts in I Can't Sing's sound design.
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> Read more
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INTRODUCING D&B AUDIOTECHNIK'S XC-SERIES COLUMN LOUDSPEAKER RANGE
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d&b audiotechnik's new xC-Series encompasses three column loudspeakers for deployment within permanently installed applications. Available as standard in white or black, or to customised colour-matched requirements, the cabinets and accessories all share the same unobtrusive design features while utilising different driver configurations.
> Read more |
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Fully Flare at
London's Half Moon |
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The Half Moon, one of London's longest running and most respected independent live music spots, is the latest venue to install a fully specified system from Flare Audio, and the first to use the brand new SM15 Stage Monitors and V15C 15" high SPL point source loudspeakers. The Half Moon's musical pedigree includes some of the industry's biggest names, including The Rolling Stones, The Who, Bo Diddley, Kasabian and U2.
> Read more |
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Former Westlife front man Shane Filan recently concluded his debut solo tour, complete with another first - a sizeable touring speaker system from Flare Audio. This is the first major tour to use Flare Audio's X5A vertical point source array, configured with six X5s and four Q18 bass units a side, powered by Lab.gruppen PLM20000Q four channel DSP amplifiers. With industry veteran Steve Levitt at the production helm, Shane Filan took in a total of 18 cities around the UK and Eire.
> Read more
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The musical genre is looking in great shape this year as yet another brand new musical sets off on tour before its West End debut. 20th Century Boy is inspired by the life of rock legend Marc Bolan and is packed full of T.Rex's hits from the 1970s. Sound design is by Chris Whybrow, specifying the d&b audiotechnik Q-Series system with a DiGiCo SD10 mixing desk.
> Read more |
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War Horse Tours Europe |
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The National Theatre's acclaimed production of Michael Murpurgo's War Horse is due to tour in Europe later this year, complete with a sound system supplied by Orbital Sound for sound designer Christopher Shutt. The production opens at The Royal Theatre Carré in Amsterdam on June 14th 2014, and is a collaboration between the Stichting Theateralliantie, and the Holland Festival.
> Read more
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Class of 2014 - Mixing Musicals! |
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This year's Mixing Musicals training course was another sell-out, with ten students taking part on the intensive two day sessions. Students were able to work with music from Bill Kenwright Ltd's new UK Fame tour, mixing on a brand new DiGiCo SD10 console and a d&b audiotechnik system with surround.
> Read more
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CLEAR-COM FREESPEAK™ |
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Digital wireless intercom that blends digital matrix technology with a locally distributed wireless network. |
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I CAN'T SING DEPLOYS FREESPEAK |
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Orbital Sound has supplied a FreeSpeak system to the I Can't Sing production at The London Palladium, configured with twelve fully duplex multichannel beltpacks and six antennas. The system, which uses multiple linked reception "cells", has enabled coverage around the whole theatre - connecting this largescale venue's communications comprehensively for the first time.
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ORBITAL INVESTS IN
3 NEW DIGICO SD10'S |
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We have recently added some large and exciting new inventory to our warehouse rental stock, in the form of three DiGiCo SD10 live digital consoles, already deployed on the new musicals Fame and 20th Century Boy. Our stock of Flare Audio products is also growing rapidly, including a massive consignment of the highly acclaimed Q18 directional touring sub bass. |
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© 2014 Orbital Sound, 57 Acre Lane, Brixton, London, SW2 5TN, United Kingdom. All Rights Reserved.
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The Orbital team has just completed the latest round of intensive auditing for our ISO-9001 certification – something we are incredibly proud to maintain. ISO-9001 requires an incredible amount of dedication, but ensures that we maintain best practices across every level of our business. As one of very few companies in the live entertainment sector to hold ISO-9001, Orbital Sound is very proud to display our stamp of approval!