"Tom Byrne at Orbital kindly lent me some Ci90s to try out in situ but, because of the club's relatively low ceiling height, these could only be mounted horizontally. And as you can't rotate the horns on this model, we couldn't easily achieve the necessary dispersion angles. I went back to Orbital, and the suggestion was to try out both the E12 and E8 systems. The E12s came out as favourites and, to make quite sure, Tom let me take some away to compare with the Ci90s back in the club. Being new to the E12s, I had initially been a little sceptical, but they were a revelation – very good in the room, with their rotatable horn enabling a perfect set-up. They deliver exactly the performance improvements that the club needed, and are sufficiently small and discrete not to block the audience's view of the stage.
"Musicians and audiences have commented very favourably on the improvements. We have installed three E12 units, together with some d&b audiotechnik E0 enclosures as infills for the tables in a corner, just behind the E12s' line of sight. Many venues wouldn't worry about specific coverage for these tables, but this attention to detail is typical of the club's attitude to customers' enjoyment. The system is set up to generate a well-balanced mix of natural to reinforced sound, with enough direct level coming off the stage even with the quieter players. It's an excellent venue, with a great look and feel, and has to be one of the best I've worked in!"
The new loudspeakers are driven by just two d&b audiotechnik D6 power amplifiers, with one unit driving the main stereo pair of E12s, and the other driving the third E12 and the infill E0s. Cliff is using the third E12 to ensure accurate coverage throughout the club, including a sofa area that is offset to one side – a straightforward stereo pair was considered insufficient, given the club's geometry. The system is mixed via an Allen & Heath GL2400 console, which also generates four stage mixes, typically used at fairly low level, for musicians that require monitoring. 2 x BSS 966 dual EQs were installed to adjust the monitor feeds.
The Hideaway
Hidden away in a quiet mews off Streatham's busy High Road, the Hideaway is one of London's most successful live music venues. With a popularity that's fast outgrowing the venue's initial billing as "South London's Best Kept Secret", it's developing an excellent reputation for its predominantly jazz-focused schedule that encompasses Latin, Funk and Soul sessions.
"Tom Byrne at Orbital kindly lent me some Ci90s to try out in situ but, because of the club's relatively low ceiling height, these could only be mounted horizontally. And as you can't rotate the horns on this model, we couldn't easily achieve the necessary dispersion angles. I went back to Orbital, and the suggestion was to try out both the E12 and E8 systems. The E12s came out as favourites and, to make quite sure, Tom let me take some away to compare with the Ci90s back in the club. Being new to the E12s, I had initially been a little sceptical, but they were a revelation – very good in the room, with their rotatable horn enabling a perfect set-up. They deliver exactly the performance improvements that the club needed, and are sufficiently small and discrete not to block the audience's view of the stage.
"Musicians and audiences have commented very favourably on the improvements. We have installed three E12 units, together with some d&b audiotechnik E0 enclosures as infills for the tables in a corner, just behind the E12s' line of sight. Many venues wouldn't worry about specific coverage for these tables, but this attention to detail is typical of the club's attitude to customers' enjoyment. The system is set up to generate a well-balanced mix of natural to reinforced sound, with enough direct level coming off the stage even with the quieter players. It's an excellent venue, with a great look and feel, and has to be one of the best I've worked in!"
The new loudspeakers are driven by just two d&b audiotechnik D6 power amplifiers, with one unit driving the main stereo pair of E12s, and the other driving the third E12 and the infill E0s. Cliff is using the third E12 to ensure accurate coverage throughout the club, including a sofa area that is offset to one side – a straightforward stereo pair was considered insufficient, given the club's geometry. The system is mixed via an Allen & Heath GL2400 console, which also generates four stage mixes, typically used at fairly low level, for musicians that require monitoring. 2 x BSS 966 dual EQs were installed to adjust the monitor feeds.
The Hideaway
Hidden away in a quiet mews off Streatham's busy High Road, the Hideaway is one of London's most successful live music venues. With a popularity that's fast outgrowing the venue's initial billing as "South London's Best Kept Secret", it's developing an excellent reputation for its predominantly jazz-focused schedule that encompasses Latin, Funk and Soul sessions.