In our very special world of theatrical and musical sound, there is one quality that underpins every element of a production - trust. Since 1993, Orbital's name has become synonymous with an inventive, versatile yet practical approach to supporting productions of all shapes and sizes. Our unparalleled portfolio stretches from Broadway to London's West End, from China to Brazil, from the world's largest annual arts festival in Edinburgh to specialist small dance productions.

Among our latest line-up are three key musicals that encapsulate our ethos, involving sound designers and creative teams that we hold in the greatest esteem. Nevin Steinberg is the name behind two of them, as sound designer on Hamilton, which opens at the Stage Operettenhaus in Hamburg this summer, and Tina in Madrid. We love working with Nevin and his team, and bringing Hamilton across to Europe in a brand new German language production has been a privilege.

The same goes for Tina in Madrid, where we work closely with executive producer Rene Marco and the local Stage Ents team under head of sound Roberto Rodriguez to support them in the long-term running of the show.

The third production under our spotlight is Harry Potter and the Cursed Child, in association with Masque Sound, where we are working with the exceptionally talented team of Gareth Fry supported by Will Pickens, and technical production manager Gary Beestone. Each of these productions is a carefully protected brand, involving trusted partnerships and a total focus on excellence.